The krater is named for its painter, Euphronios, an Athenian artist who worked at a time of great change. So as the Met experiences its own Classical revival, the magnificent krater is saying goodbye (albeit quietly) to the city it has called home for the past 35 years.

As a result, the krater will leave New York for good this January. Paul Getty Museum last week to agree to return 40 of its antiquities. The krater's sense of exclusion is justified: It was caught up in the same kind of cultural property dispute with the Italian government that led the J. Once used for the mixing of water and wine at symposia, it sits somewhat anonymously in a side room, peering like a forgotten child onto the new Classical Galleries down the hall. that has long been one of the Metropolitan Museum's prized possessions. If the file has been modified from its original state, some details may not fully reflect the modified file.There is an air of melancholy surrounding the Euphronios Krater, an imposing ceramic vessel made in Greece in the sixth century B.C. This file contains additional information, probably added from the digital camera or scanner used to create or digitize it. Portail:Grèce antique/Image du mois/Archives/122009.Musée national étrusque de la villa Giulia.Portail:Grèce antique/Image du mois/Archives.If you have questions about the archived correspondence, please use the VRT noticeboard. The correspondence is available to trusted volunteers as ticket #2008100610032761. This correspondence has been reviewed by a Volunteer Response Team (VRT) member and stored in our permission archive.

The Wikimedia Foundation has received an e-mail confirming that the copyright holder has approved publication under the terms mentioned on this page. If you wish to use this content, you do not need to request permission as long as you follow any licensing requirements mentioned on this page. This work is free and may be used by anyone for any purpose. Krater by Euphronios (painter) and Euxitheos (potter).

Précédemment dans les collections du Metropolitan Museum of Art, New York (L.2006.10) restitué à l'Italie et exposé à Rome en janvier 2008. Face A du « cratère d'Euphronios », cratère en calice attique à figures rouges signé par Euxithéos (potier) et Euphronios (peintre), v. Français : Le corps de Sarpédon emporté par Hypnos et Thanatos (le Sommeil et la Mort), sous le regard d'Hermès.

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